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过士行笔下的《闲人三部曲》分别是《棋人》《鱼人》《鸟人》这三部作品,从问世以来一直都是评论家特别关注的对象,并不断在舞台上反复搬演且获得极高的赞誉。而对于过士行《鸟人》一剧的分析应当从西方弗洛伊德的精神分析学方法中解读人物形象,深入挖掘作者的创作意图,同时还要吸取中国传统京剧特征虚拟性对梦境的营造方面从另一视角下对人物形象进行分析。并且透过中西方对于梦境的观念,展现出东西方文明的差异,交流与碰撞。更深一层次的理解剧中人物形象的文化内涵,勾勒出众生世界对自我的迷失与找寻。
The idol trilogy, which was written by the experts, is the three works of “Chessman,” “Fishman,” “The Birdman,” and has been the object of special attention since the advent of the audience and has been repeatedly played on the stage And access to high praise. However, the analysis of the “Bird Man” drama of Shih Tung should interpret the character image from the psychoanalytic method of the Western Freudian, dig out the author’s intention of creation, and at the same time draw lessons from the characteristics of Chinese traditional opera to the fantasy To create the image from another perspective on the analysis. And through the concept of dreamland between China and the West, it shows the differences, exchanges and collisions of Eastern and Western civilizations. A deeper understanding of the cultural connotation of the character images of the play, sketching out the loss of the self and the search for the self.