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“比德”观是中国绘画艺术独有的一种表达形式,将自然之物赋予人的性格品质和精神内涵,在中国的古代画论中“比德”思想的相关论述颇多,其作用方式对中国古典园林艺术的影响颇深。中国的古典园林艺术是中国传统文化载体的一部分,与中国绘画思想的联系密不可分,可谓画学思想指导了古典园林艺术的发展。本文便从传统绘画理论中儒家哲学思想的“比德”观角度,从造园立意、空间布局、景观配置、意境营造四个方面探讨其对中国古典园林艺术造景文化的渗透。
The concept of “Beide” is an expression form unique to the Chinese painting art, which gives the character and character connotation of the natural things. In the Chinese ancient painting theory, the related discussion of “Beide” thought The influence of its mode of action on the art of Chinese classical gardens is rather deep. China’s classical garden art is part of the carrier of traditional Chinese culture. It is inextricably linked with the thought of Chinese painting. It can be said that the thought of painting guided the development of classical garden art. This article discusses the infiltration of landscaping culture into Chinese classical garden art from the perspective of the “Bead” of Confucianism in traditional painting theory from four aspects: the concept of building a garden, the spatial layout, the configuration of landscape and the creation of artistic conception.