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在日本,人们在评论荒木轻惟时,常在前面加上一句“天才”,也唯有荒木享有这个称号。天才也好,怪才也好,这不必去多作考证;但至少有一点,荒木在日本摄影界独树一帜的表现,为他赢得了世界性声誉,这是事实。多年以来,在荒木无以数计的作品中, “花”一直据有一个重要位置,这不只是简单地作为一个题材的媒介,实质上它蕴含着荒木对人生的一种解读。今年5月1日——6月8日“荒木轻惟——花的人生展”在东京都写真美术馆举办。荒木的花常常唤起人们的欲望和想象力。他最初有关花的作品,拍摄的是他少年时曾经作为游玩地的东京古原的净闲寺的彼岸花。此后.伴随着不断引来话题的作
In Japan, people comment on Araki light, often in front with a “genius”, and only Araki enjoy the title. Genius Ye Hao, geek Ye Hao, it does not have to go to more research; but at least one thing, Araki unique performance in Japanese photography, won him a worldwide reputation, it is a fact. Over the years, “Flower” has always had an important place among Araki's countless works. It is not simply a medium of the subject matter. It essentially contains Aramaki's interpretation of life. May 1 this year - June 8 “Araki light - flower exhibition of life” held in Tokyo Photo Art Museum. Araki's flowers often arouse people's desires and imagination. His initial work on flowers took pictures of the Banaan at the net-san temple in Tokyo's ancient site, where he had spent his childhood. Since then, with the continuous introduction of the topic of work