中国电影走向世界是好事还是坏事?如果问题这样原则性地提出来,恐怕无不以“好”作答,然而,当问题一旦由原则而变为实际,就不那么简单了。《老井》、《红高粱》相继在国际电影节获奖,有些人就不以为荣,反以为耻。这就难免要使人发问:中国电影走向世界,光荣乎?耻辱乎? 认为《老井》、《红高粱》在国际电影节获奖是耻辱的理由,大多是认为“影片展示了中国的愚昧和落后”。这倒有些意思。诚然,无论是《红高粱》,还是《老井》中所表现的人们的生产方式和生活方式并不先进,就人们的思想方式来说也尚未摆脱愚昧。然而,《红高粱》中“我爷爷”、“我奶奶”不甘旧势力乃至恶势力的摆布并与之作斗争,要求痛痛快快地做人、做事;《老井》中的孙旺泉不满足落后的现状,敢于向自然、向落后挑战,这些不正表现出影 Is it a good thing or a bad thing that Chinese movies are going to the world? If the questions are put forward in principle, I am afraid all will be answered with “good”. However, once the problems have become reality by principle, it is not that simple. “Old Well,” “Red Sorghum” have won awards at the International Film Festival, some people do not think proud, ashamed. It is inevitable that people should ask: Chinese film goes to the world with glory and shame? Think “Old Well” and “Red Sorghum” won awards at the International Film Festival is a shame, mostly think “the film shows China’s ignorance and behind”. This is a bit mean. It is true that neither the “red sorghum” nor the “old well” people’s mode of production and way of life are not advanced, and people’s way of thinking has not yet out of ignorance. However, in “Red Sorghum”, “my grandpa” and “my grandmother” are unwilling to fight and fight against the evil forces and even the evil forces. They demanded that they should work and act with pains and sorrows. Sun Wangquan in “Old Well” did not satisfy the backward The status quo, daring to challenge nature, backwardness, these are not positive performance