曹禺的作品坚决的反对了“男尊女卑”的文化传统与妇女被压在最底层的社会现实,同时又是中国近现代伦理思想史上关于妇女问题尖锐论争的艺术反映。曹禺作品中的女性主义倾向,使其具有了极广的社会文化内涵,增强了作品深厚的历史感和时代意义。 Cao Yu’s work resolutely objected to the cultural tradition of “male superiority and inferiority” and the social reality that women were suppressed at the lowest level, meanwhile they were the artistic reflection of the sharp controversy over women in the history of modern Chinese ethics. The feminist tendencies in Cao Yu’s works make it have a very wide range of social and cultural connotations and enhance the profound sense of history and the significance of the times.