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一直以来,中国的新生代导演总是在与第五代的对比中获得某种位置,但是随着贾樟柯、王全安等人在国际辐射面的扩大,以及陆川和宁浩等人的国内商业影响的递增,代表着中国电影希望的新生代导演逐步在大众视野中获得话语。在现代性与后现代性交织的消费社会中,他们对电影创作的理解、对观众的态度、对电影工业的看法、对自身的审视、对体制的认识以及对当下与未来的把握,很大程度上影响着中国电影的文化走向与商业步伐。我们相信,关乎他们,关乎中国电影,问题绝不仅仅六个,但是只要能从这些问题中钳开一道缝隙,让理性的阳光照射进来,坦诚地交流,真诚地对话,电影工业的那扇大门迟早敞开,电影产业的道路也会越走越宽广……
All along, the new generation directors in China always get a certain position in comparison with the fifth generation. However, with the expansion of the international radiation face by Jia Zhangke and Wang Quan’an et al. And the domestic commercial influence of Lu Chuan and Ning Hao Increasingly, the new generation of directors, who represent the hope of Chinese films, gradually gain discourse in the public view. In the consumer society where modernity and postmodernity are intertwined, their understanding of cinematography, their attitudes toward the audience, their perception of the movie industry, their own examination, their understanding of the system, and their grasp of the present and future To a certain extent, it affects the cultural orientation and business pace of Chinese films. We believe that there is more than just six issues concerning them in relation to Chinese films. However, as long as the gaps in these issues can be bridged and the rational sunshine comes in, the exchange of honest exchanges and sincere dialogue and the door to the film industry can be achieved Sooner or later, the road to the film industry will be wider and wider ...