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关于“80后”写作的产生,不可否认市场在其中发挥了不小作用,包括市场利润的驱动和个体条件的结合等,但实际上谁都明白其产生有着复杂的社会因素和个体机缘。江冰先生曾对“80后”文学的文化背景进行分析指出了三种:一、网络文化:自由表达的生长空间:二、大众消费文化:书写一种欲望:第三个文化背景,与整个中国文学在20世纪90年代的“背景置换”有直接因果关系。这里的“背景置换”其实包含着政治、经济改革及九十年代的文化产业化等社会因素。另外,还有一原因值得我们重视,即“新概念作文大赛”作为一个平台和契机,其背后隐含了当代教育方面的深刻问题及我们的人才观问题,急功近利和短、平、快的效应追求恐怕是最明显的了。所以在对待文学与市场的关系上不能用一分为二的思维。
With regard to the post-80s writing, it is undeniable that the market has played an important role in it, including the drive of market profits and the combination of individual conditions. However, in fact, everyone knows that it has complicated social factors and individual opportunities. Mr. Jiang Bing once analyzed the cultural background of the “post-80s” literature and pointed out three kinds: First, the network culture: the space for free expression: Second, the mass consumption culture: writing a desire: the third cultural background, Chinese literature has a direct causal relationship with “background replacement” in the 1990s. The “background replacement” here actually contains social factors such as politics, economic reform and cultural industrialization in the 1990s. In addition, there is another reason worthy of our attention, that is, the “New Concept Composition Competition” as a platform and an opportunity implies the profound problems of contemporary education and our pursuit of talent, quick success and short, flat and fast effect pursuit I am afraid that is the most obvious. Therefore, the relationship between literature and the market can not be divided into two halves of thinking.