被誉为中国第一代摇滚人的杰出代表刘义君（唐朝老五），以其高超的吉他演奏技艺和一首《梦回唐朝》当年曾让多少追随者如醉如痴。前几何时直至今日“南捞仔，北老五”成为怀抱吉他的后来者们膜拜的对象。离开唐朝乐队后，本姓刘的“老五”对唐朝的情感丝毫没有减少。他仍然愿意让朋友喊他“唐朝老五”，永远。因为那是时代给他的名字，是青春留下的呼唤。今天的老五，比当年理性了许多。吉他仍是他的最爱，却不是他的唯一。在他的音乐里，一边恋着传统（借鉴古筝古琴改造吉他的结构），一边追着现代（借助电子设备丰富吉他的音色）。他不再以师带徒传技术，而是集体教学求正规。绘画使他丰富修养，陶冶性情；演出也是精心策划，认真筹备，不轻易跑穴。今日老五，更注重思想。他说没有独自的思想，当不了好音乐人，不掌握新的技术，音乐就没有时代感。 Liu Yi-jun, the eldest representative of China’s first generation of rockers, is known for his many guitar followers who were skilled in guitar playing and the one that “dreamed of returning to the Tang”. Until the present days, “Nankou Tsai and North Fifth Five” became the object of worship of latecomers carrying guitars. After leaving the Tang Dynasty band, the surname Liu’s “Lao Wu” did not diminish the emotion of the Tang Dynasty. He is still willing to let his friend shout him “the fifth of the Tang Dynasty”, forever. Because that is the name given to him by the times, it is the call left by youth. Today’s senior five, a lot more rational than the year. Guitar is still his favorite, but not his only. In his music, while in love with tradition (using guzheng guqin reconstruction guitar structure), while chasing the modern (with electronic equipment guitar sound rich). He no longer with the teacher to pass on the technology, but the collective teaching seeking formality. Painting makes him rich, cultivate temperament; performance is carefully planned, careful preparation, not easy to run. Five today, pay more attention to thinking. He said there is no thought alone, when not a good musician, do not master the new technology, music, there is no sense of the times.