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澳大利亚作家布赖恩·卡斯特罗的小说《上海舞》,以后现代的写作风格,打破了叙事媒介的界限,小说通过刻意模糊虚拟和自传的文体差异,描写了主人公及其家族几百年来在世界各地的流散生活。本文从后殖民理论家霍米·巴巴的“模仿人”“混杂性”和“第三空间”等后殖民理论出发,着重分析小说主人公安东尼奥的杂糅身份以及在中澳流散生活中的身份困惑问题。
Australian novelist Brian Castro’s novel “Shanghai Dance” and later modern writing style broke the boundary of narrative media. The novel depicts the protagonist and his family for hundreds of years by deliberately vague stylistic differences between virtuality and autobiography Come and live around the world. Based on postcolonial theory such as Homis Baba’s postmortem theory such as “imitation”, “promiscuity” and “third space”, this article focuses on the analysis of the hybrid identity of the protagonist Antonio, Identity puzzle in life.