论文部分内容阅读
众多中小成本影片塑造出一大批源于生活、性格立体、展现社会多元价值观的小人物角色。他们看似平凡,却折射出当代中国人的自尊与自信。回望2011年,华语电影取得诸多荣耀。在繁荣的市场背后,是华语电影人创作思路和创作思维的开拓和不断创新。电影主流题材不再局限于古装大片,都市题材、移民题材及其他反映当下老百姓生活境况、精神状态的优秀电影不断涌现。其中,众多中小成本影片塑造出一大批源于生活、性格立体,展现社会多元价值观的小人物角色。他们看似平凡,却折射出当代中国人的自尊与自信。正因为有了这些性格多面向、命运迥异的小人物角色,2011年的华语电影,才终于穿越所谓“大片”的浮夸创作,转向丰富的现实生活,创作出更接“地气”的作品。
Many small and medium-sized cost-effective movies create a large number of small-character characters that derive from life, character and diversity, and show the diverse values of society. They seem ordinary, but they reflect the self-esteem and self-confidence of contemporary Chinese people. Looking back on 2011, Chinese films have gained a lot of glory. Behind the prosperous market is the pioneering and continuous innovation of creative thinking and creative thinking of Chinese filmmakers. The main theme of the movie is no longer limited to large-scale costumes, urban themes, immigration themes and other people reflect the current life conditions, mental state of the outstanding films continue to emerge. Among them, a large number of medium and small-sized cost-effective films create a large number of small characters who derive their lives from the three-dimensional character and show the diversity of social values. They seem ordinary, but they reflect the self-esteem and self-confidence of contemporary Chinese people. It is precisely because of these small characters with multi-faceted and fateful characters that in 2011, the Chinese-language film finally passed through the so-called “blockbuster” exaggerated creation and turned to rich real life to create a more “gas” s work.