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本文旨在围绕“中国气派”的审美意象对陶瓷绘画的源流、形式语言、风格传承进行释读,以其构筑构成今日陶瓷绘画形式语言多元景观。
The purpose of this paper is to interpret the origin, formal language and style inheritance of ceramic painting around the aesthetic image of “Chinese style”, and construct the multi-lingual landscape of today’s ceramic painting form.