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音乐与戏剧文学是歌剧中具有决定意义的元素。音乐具有时间性、抒情性和表现性,而戏剧文学则具有空间性、造型性和再现性。音乐与戏剧文学同时进入歌剧这一综合体中,两者相互对比又相互渗透,从而造就了歌剧艺术空间性与时间性的统一、造型性与抒情性的统一、再现性与表象性的统一。本文从音乐的角度出发,分析了歌剧《浮士德》中的音乐是如何为戏剧服务的,又通过分析音乐对人物形象、矛盾冲突、场面三方面的描绘,探究了音乐艺术与文学艺术相比,哪个更具戏剧性的描绘能力。
Music and dramatic literature are the decisive elements of opera. Music is time, lyrical and expressive, while dramatic literature has spatial, styling and reproducibility. Music and dramatic literature enter into the complex of opera at the same time. The two are in contrast and mutual infiltration with each other, thus creating the unification of the space and time of opera art, the unity of modeling and lyricity, the unity of reproduction and appearance. From the perspective of music, this article analyzes how the music in the “Faust” opera serves the drama. By analyzing the description of the figure, contradictions and conflicts of the music, the scene is explored by the music, and the relationship between music art and literature and art Which is more dramatic than the ability to draw.