编辑对我说,谈谈你外拍人体作品时的感受吧。心里暗笑,我应该算是比较另类的吧,最喜欢刮风下雨乌云满天时拍片子,愈不同寻常的天气愈好。构图却是中规中距的那种。我的拍片经历告诉我,这样的外景条件,更多时候是无法把握的瞬息多变和无数次深深的无奈。写诗的功夫在诗外,拍片的功夫在片外,我想说的是周密计划,不辞劳苦,把握时机,天时地利人和,按动快门之前,好作品已经是事半功倍了。 The editor said to me, talk about how you feel when you film a human body work. My heart chuckle, I should be considered more alternative, like the wind and rain when the wind blows the sky filming, the more unusual weather the better. Composition is the kind of regulation in the distance. My film experience tells me that such a location conditions, more often are not able to grasp the ever-changing and immense helpless countless times. Writing kung fu poems outside the filming effort outside the film, I want to say is a well-planned, tireless, seize the opportunity, favorable conditions and time, press the shutter before the good work is already a multiplier.