人们在介绍一批作品,指出它们的某些共性时,喜欢首先利用总括性的概念,把纷杂的个性特征条理化,力求避免简单地罗列作品。然而,应当承认,我的评论工作并未奏效。我思索再三,也没有找到把十五年来法国的主要影片条理明确地归入两三种类别中,以醒人耳目的简明的答案。 When people introduce a group of works and point out some of their commonalities, they prefer to first use the omnibus concept to stratify the complex personality traits and try to avoid simply listing the works. However, it should be admitted that my comment did not work. I think again and again and I find no conclusive answer with clear, eye-catching clarity, that explicitly divides the main French films of the past fifteen years into two or three categories.