民歌并不是纯粹的文学研究对象和孤立静止的审美意象。原生态固然是一种最理想的状态,但是随着时代的发展,停留在理想地构建民歌的未来发展是不现实的。应把民歌看作是一种动态的文化现象,运用主客位互换等方法及文化变迁理论看待民歌国家化的出现。 Folk songs are not purely literary research objects and isolated static aesthetic images. Although the original ecology is the most ideal state, with the development of the times, it is unrealistic to stay in the future to construct the ideal folk song. Folk songs should be regarded as a kind of dynamic cultural phenomenon, and the advent of nationalization of folk songs should be viewed through the methods of exchange of subject and object and other theories of cultural change.