开宗明义,杨庆祥在《“新伤痕时代”及其文化应对》中将近年来的一系列时局变动归入“事件”的范畴,因为他不是如媒体一样仅仅惊叹一种“黑天鹅”的盛景,也不是通过强化这些变动的偶然性维持一种关于“现实生活”的幻想,而是将我们从这种幻想中拖拽出来,冷眼旁观它们作为对我们所居世界的叙述架构进行毁灭和建构的事件的属性。他认为,这些偶然性必然生发成一种必然性,一如过去不远历史中的偶然性成为我们今天无所不在的理所应当。同时他也在 As a starting point, Yang Qingxiang has categorized a series of recent changes in the current “” and “cultural responses” period in the “New Scratch ” era as “events.” Because he is not just amazed at the “black swan Instead of maintaining the illusion of ”real life " by fortifying the contingencies of these changes, we are dragging ourselves out of this illusion and letting our eyes down on them as narration of the world in which we live The destruction of the architecture and the construction of the incident’s properties. In his view, these contingencies are bound to develop into a kind of inevitability, just as the accidental past in the past has become what we want to be ubiquitous today. At the same time he is also