卞之琳的诗歌实践在1937年以前,呈现两种不同的诗风,这与诗人“化古与化欧”的创作策略有关。较早的诗歌“欧化”倾向更重,诗歌采用了现代派的技巧,把西方所谓戏剧性处境融入了中国的古典意境。后来的创作则在一种白话与文言的并陈中,用优雅而含蓄的古典意境融化了缺乏诗意的现代语汇。 Bian Zhilin’s poetry practice before 1937 showed two different poetic styles, which were related to the poet’s creative strategy of “turning the ancient into the ancient”. The earlier poetry “Europeanization ” tended to be heavier. Poetry adopted the techniques of modernism and incorporated the so-called dramatic situation in the West into the classical Chinese conception. Later, the creation was based on a combination of vernacular and classical Chinese, melting the poetic modern vocabulary with elegant and subtle classical conceptions.