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在中国当代摄影实践中,进入21世纪,出现了摄制、展示具有相对情节性的叙事场面的探索倾向。这决定了其表现手法,大都是摄影家在摄影棚中导演拍摄,以控制叙事效果,因此可称为执导型摄影。他们搭建场景、设计故事情节,指导模特表演、演绎现实的戏剧性与荒谬感,以此提示对于现实生活的切实感受。同时,随着数码摄影技术的日新月异,一些摄影家与艺术家也及时导入这方面的最新技术成果,试图赋予他们作品以更强烈的表现力。现居北京的摄影家刘丽杰,其作品大都展示某种情节性场景,但从拍摄手法上看,她也属于积极导入数码技术,展开其叙事策略的摄影家。
In the practice of contemporary Chinese photography, in the 21st century, there has been an exploration tendency of filming and displaying narrative scenes with relative plotty. This determines the performance of their practices, mostly photographers in the studio director shooting to control the narrative effect, it can be called directed photography. They set up the scene, design storyline, guide the model performance, interpretation of the dramatic reality and absurdity, in order to prompt the real feelings of reality. At the same time, with the ever-changing digital photography technology, some photographers and artists promptly import the latest technological achievements in this field and try to give them more expressive power. Liu Lijie, a Beijing-based photographer, most of his works showcase some kind of plot scenes. However, she also belongs to a photographer actively introducing digital technology and starting her narrative strategy.