邢时苗:舞剧《粉墨春秋》这部戏不容易,一走就走了15年。诱因有两个,一个是我在浙江工作,有一位京剧大师叫盖叫天,一位是我们中国特别活跃的舞蹈家叫黄豆豆。这两个人促使我要做这部反映中国戏班子戏的舞剧,于是就有了《粉墨春秋》这四个字,因为这四个字是盖叫天大师自传的书名。十年过去了,我找到了一位 Xing Shi Miao: dance drama “Pink Spring” This is not easy to play, walk away for 15 years. There are two incentives, one is my work in Zhejiang Province, there is a master called Peking Opera cover, one of us is particularly active dancer called yellow beans. These two individuals prompted me to make this dance drama that reflects the Chinese opera troupe. Therefore, the four words “Spring and Autumn of Pink Ink” are the names of the titles that cover the autobiography of the Grand Master. Ten years later, I found one