上海京剧院三团在复旦大学演出,学校免费招待学生看戏,结果一千人的礼堂,只坐了四分之一的观众,其中多半是上了年纪的教职员工及家属,学生至多也不过百人。剧团领导对此不得不叹气摇头。其实,何止是京剧,在目前国内舞台上,戏曲从总体上说都是相当的不景气,观众人数大量减少,卖座率越来越低,而且观众大都是中老年人,年青人涉足此道的,却少之又少。于是乎,有人惊呼:戏曲危机来了。更有甚者,大谈起戏曲灭亡论来了。说戏曲要灭亡,这是言过其实了。然而, Shanghai Peking Opera Three Corps in Fudan University, the school free entertainment students to watch the theater, the results of a thousand auditorium, only sat a quarter of the audience, most of whom are the older faculty members and their families, students at most Hundreds of people. The theater leaders had to sigh and shake their heads. Actually, there is more than just Peking Opera. In the current domestic arena, the opera industry as a whole is quite sluggish. There has been a drastic reduction in the number of audiences, with lower and lower attendance rates. Most of the audience are middle-aged and elderly people who are involved in this road , But very few. Ever since, someone exclaimed: drama crisis is coming. What’s more, talk about the drama theory of perdition. It is an exaggeration to say that drama should perish. however,