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纳博科夫自传《说吧,记忆》因其写作的艺术性广受称道,是现代自传里具有实验性和先锋性的文本。本文以艺术性为切入点,分析纳博科夫记忆书写的特点。一方面,通过强调“现在的我”和“过去的我”的距离,纳博科夫运用预演、人物形象转喻等艺术手段组织记忆,消解了冲突和情感,体现了记忆的建构性特点;另一方面,纳博科夫试图采用一种“主题”和“花样”来定义个体的命运,这种“主题”消解了传统的伦理内涵,主题的叙事则打破了传统的线性叙事,转而采用一种艺术的拼贴技法,这种后现代的去中心化、游戏化手法,揭露了意义的建构性本质。本文就是从其记忆书写的艺术性入手,分析这一艺术化外壳下的理性内核。
Nabokov’s autobiography “Say it, remember” is widely praised for its artistic writing and is an experimental and avant-garde text in modern autobiography. This article takes artistry as the starting point and analyzes the characteristics of Nabokov’s memory and writing. On the one hand, by emphasizing the distance between “now I” and “past I”, Nabokov uses the art of rehearsal, figurative figures and metonymy to organize memories, dissolve conflicts and emotions, and embody memories On the other hand, Nabokov tries to define the fate of individuals by adopting a “theme” and a “pattern”, which eliminate the traditional ethical connotation and the narrative of the theme It breaks the traditional linear narrative and adopts an art collage technique. This postmodern decentralization and gamification practices expose the constructive nature of meaning. This article starts with the artisticness of its memory writing and analyzes the rational kernel under this artistic shell.