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《挑花女》是一部近距离照观现实的戏曲电视剧。这部戏从大概念上说,是写农村改革的,然而却没有直端端的描写山村——梨花寨改革的过程。它表现的是改革浪潮波及到社会最小的细胞——家庭。引出了社会价值观念上的碰撞和人的情感道德的流向。近几年有些影视作品,一写到农村的改革开放,就是脱离农村,进城打工或做生意,似乎只有抛弃这一方土地,才能发家致富。而《挑花女》则给我们展观出这样一个新的视角:小燕告别充满诱惑力的城市,回到了贫瘠的山村.寻找着乡土潜质。《挑》剧在这个视角点上构筑起叙事的框架,
“Cross-stitch girl” is a close-up reality television drama series. This movie, from the big idea, is about rural reform. However, there is no straight-forward portrayal of the process of reforming the mountain village-Pear Blossom Village. It shows that the wave of reform reaches the smallest cell in the community - the family. It leads to the collision of social values and the flow of human emotion and morality. In recent years, some films and television works, one written in the rural areas of reform and opening up, are out of the countryside, going to cities to work or do business, it seems that only by abandoning this side of the land in order to make fortune. The “cross-stitch girl” shows us a new perspective: Xiaoyan bid farewell to the tempting city, back to the barren mountain village. Looking for the potential of the home. In this perspective, “pick” plays a framework of narrative,