日本著名浮世绘画师葛饰北斋的作品“富岳36景”生动再现了江户时代富士山周边寻常百姓的生活景象,也深深吸引着我踏上一段环绕富士山的旅程。去年夏天,我以北斋的绘画为指引,来到日本,追寻那些从江户时代延续至今的市井气息。旅行见闻证实了我的猜想——北斋作品之所以具有强大的生命力与感染力,正因为它们源自最朴实无华、却又生机盎然的普罗大众。 Japan’s famous ukiyoe artist Katsushika Hokusai’s work “Fu Yue 36 King ” vividly reproduced the lives of ordinary people around the Mount Fuji during the Edo period, and also deeply fascinated me to embark on a journey around Mount Fuji. Last summer, I came to Japan with the paintings of Hokusai and pursued the marketplace flavor that has continued since the Edo period. The travel experience confirms my conjecture that the works of the North Zhai have strong vitality and appeal because they originate from the simplest yet vibrant general public.