一农村一过农历腊月初八,年的味道一日浓过一日。每逢这个时候,河南开封朱仙镇赵庄的张廷旭家南来北往的商客总是络绎不绝,他们全都是冲着老张家刻印的木板年画来的。传统的朱仙镇木板年画,是在宋朝汴梁城(今开封)为京都时走向鼎盛而后传遍天下,成为中国年画鼻祖的。然而,沧海桑田时事变换,如今,传统的朱仙镇年画套版雕版技艺已到了硕果仅存、唯有张廷旭一脉单传的关键时刻。二年画起源于门画(门神),门神的文化渊源可以一直追溯到秦汉时期,追溯到《山海经》中的文字。自从神荼、郁垒被奉为门神,两千年来,先民们就将 A rural once the eighth lunar month of the twelfth lunar month, the taste of the year thicker than one day. During this time, Zhang Tingxu from Zhaozhuang Town, Kaixian Town, Kaifeng City, Henan Province always came in an endless stream of merchants. All of them were directed at the old wooden planks engraved on old Zhangjia. The traditional Zhuxian wooden board New Year pictures was made in the Song Dynasty Qiongliangcheng (now Kaifeng) to Kyoto peak and spread throughout the world, became the originator of the Chinese New Year pictures. However, changing the current situation in the world, nowadays, the traditional Zhuxianzhen New Year edition sets engraving technology has reached the end of fruitful, only Zhang Tingxu a single biography of the key moment. Two years of painting originated in the door painting (door god), the door of God’s cultural origins can be traced back to the Qin and Han dynasties, dating back to the “Shan Hai Jing” in the text. Since the Tiantu, Yu Lei was regarded as the god of the door, for two thousand years, the ancestors will be