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本文侧重考察明清两代徽州地区的演剧活动,从《率东重修程氏家谱》等文献资料中寻觅出了明中叶以前徽州演剧活动的踪迹,从傅岩的《歙纪》等资料中考察了明中叶以后徽州演剧活动的活跃情形,从现存的古戏台、罚戏碑和罚戏公约、戏曲楹联和抄本见出清代徽州演剧活动的普遍。同时,对在徽州长期演出的目连戏的历史、“仪式剧”的特色及艺术表现等进行了梳理和分析。
This paper focuses on the drama activities of Huizhou area in the Ming and Qing Dynasties. From the literature data such as “Recalling Cheng's Family in the East”, it finds out the traces of the activities of Huizhou before the Ming Dynasty, Examines the active situation of the activities of Huizhou after the middle Ming Dynasty. From the existing ancient stage, the Penalty Monument and Penalty Convention, the opera couplets and the transcript, we can see that the activities of Huizhou in the Qing Dynasty are common. At the same time, the history of the Mulan opera which was performed in Huizhou for a long time and the characteristics and artistic expression of the “Ritual Drama” are also analyzed and analyzed.