本文以2006年诺贝尔文学奖得主土耳其作家奥尔罕·帕慕克发表于2002年的第一部也是唯一一部政治小说《雪》为研究对象,以小说中流亡诗人卡在卡尔斯小镇所创作的颇具隐喻意义的“书中书”和其亲身经历的“戏中戏”为两个解读重点,并在此基础之上,进一步阐述帕慕克小说中普遍存在的一种关于文化身份问题的诉求。 In this paper, the first and only political novel “Snow” published by the Turkish writer Orhan Pamuk, winner of the 2006 Nobel Prize for Literature, as the object of study, The metaphorical significance of the book Shuzhong Shu in the town and his personal experience in the opera are the two interpretations, on the basis of which, the author further expounds the ubiquitous A demand for cultural identity.