论文部分内容阅读
嵇康是三国魏末时期文学家、思想家与音乐家,关于他的研究数不胜数,但现有的研究大多在于其纯粹的文学家、音乐家、思想家的身份,本文认为嵇康的思想出自儒家却又想推开儒家,论音乐却又不仅限音乐,从本体出发却关乎唯物辩证……他思想叛逆性其音乐美学著作《声无哀乐论》得以体现。希望通过对他音乐思想中的叛逆性分析,还原一个完整的嵇康,为大家的研究提供参考。
Ji Kang is a literary writer, a thinker and a musician in the late Wei and Wei periods in the Three Kingdoms. There are numerous studies on him. However, most of the existing researches lie in the identities of pure writers, musicians and thinkers. This article holds that Ji Kang’s thought came from Confucianism But also want to push Confucianism aside, but music is not limited to music, but from the ontology it is a matter of materialist dialectics ... His rebellious ideology of his music aesthetics “sound without sadness and happiness” can be reflected. I hope through the analysis of his music in the rebel, restore a complete Kang, provide a reference for everyone’s research.