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新时期十年在中国电影史上留下了深深的足迹。随着电影创新浪潮的掀起,电影形态出现多元态势,电影家们对电影价值观念、电影自身特性等方面,有了新的发现和认识。经老、中、青几代电影家的共同努力,终于在创作中使我国电影走向新的历史高度。回顾这一段新旧交替时期的我国电影,它所经历的从复苏走向变革的历史性变化,可以从中获得许多理论上的感悟。因此,我们试图对上影新时期十年的电影创作进行理论总结。经《电影新作》编辑部同意,特辟“上影新时期十年”专栏,决定自本期起,陆续发表有关文章。本期先发表任仲伦、钱海毅的文章,以飧读者。
Ten years in the new era left a deep footprint in the history of Chinese cinema. With the tide of film innovation, the film form has a variety of situations. Filmmakers have found new discoveries and understandings about the movie values and the film’s own characteristics. Through the joint efforts of old, middle and young generations of filmmakers, the film of our country has finally been brought to a new historical height in its creation. Reviewing this period of old and new movies in our country, many historical insights from the recovery to the historical changes it has undergone can be obtained. Therefore, we try to make a theoretical summary of the movie creation in the 10 years of Shanghai Film Festival. With the approval of the editorial department of “New Works of Film”, the special column titled “Decade of Shanghai Film Festival in the New Era” was decided to publish relevant articles one after another starting from this issue. This issue first published Ren Zhonglun, Qian Haiyi’s article to readers.