1966年春天,“史无前例”的“文革”运动首先在文艺界发难,电影则更是首当其冲。《人民日报》开展了对所谓毒草影片《北国江南》、《早春二月》、《林家铺子》、《不夜城》等影片的批判。在当时的情况下,全国文联所属各协会的文学、戏剧、电影、音乐、舞蹈、摄影等刊物基本上处于被动局面,毛主席的两个批示明确认为各协会“已跌入修正主 In the spring of 1966, the “unprecedented” “Cultural Revolution” movement first made its appearance in the literary and art circles. Movies were even more the first to be hit. People’s Daily carried out criticisms of the so-called toadstool films “Jiangnan in the North,” “Early Spring in February,” “Lin Jiapu Zi,” and “Never Sleeps”. At the time, the literature, drama, film, music, dance, photography and other publications of associations affiliated with the Federation of Literary and Art Circles were basically in a passive situation. Both of Chairman Mao’s two directives clearly believed that associations "have fallen into revisionism