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早在学生时代就很喜欢《痴梦》一折。剧中崔氏张扬的个性、复杂的内心、起伏的情绪极其考验演员的表演及对角色的掌控能力。崔氏一角,有的剧种是青衣,有的剧种是花旦,在歌仔戏版《痴梦》中,根据自身表演特点,我选用花旦行。崔氏是上了一定年纪的小家子气的乡村穷妇,十几分钟的表演要展现她的个性、情绪以及内心临近崩溃的癫狂,除了舞台节奏的掌控、唱腔的处理,我还特别注意“四笑”的变化和小动作的运用,希望能起到画龙点睛的效果。
As early as the student days, I like “crazy dream” a discount. Cui unveiled the personality of the play, the complex heart, ups and downs of emotions extreme test of the actor’s performance and ability to control the role. Choi’s corner, and some operas are Tsing Yi, and some operas are Hua Dan, in the opera version of “Dream Dream”, according to their performance characteristics, I use Hua Dan line. Cui is a poor man of the village with a certain age. Ten minutes of performance to show her personality, emotions and the madness of the near collapse, besides the control of the stage tempo and the singing, I pay special attention to “ Laugh ”changes and the use of tricks, hoping to play the finishing touch effect.