植田正治形容须田一政的摄影:“他对着被摄体,一边抛开视觉的断论,一边将它们收进那小小的6×6箱内,他的妖术,让人产生跨入彼方世界的错觉,微斜的光线,或由正面打出一发闪光,无论如何,他的背景必是阴暗的。然后,他只烧印出光线下的图像,其他人物几乎被他隐藏进漆黑当中,他们像受他双眼所胁迫,步步倒退,消逝在暗黑的空间深处。他的摄影中栖息着妖怪变化,他的摄影妖术将魂魄完全拔除了。” Masaharu Ueda, a man who described the need for a government as a photographer: "He put his subjects at the camera while putting aside the visual judgment and putting them into the tiny 6 × 6 box, Anyway, his background would be dark, then he would only burn the image under the light, and the other characters would be almost hidden by him In darkness, they were threatened by his eyes, step by step, and disappeared into the depths of the dark space. The changes of monsters were perched in his photography, and his photogrammetry completely removed the soul.