论文部分内容阅读
对目前的山水画创作而言,有一个重要的现代性因素无法被忽略,那便是城市化以及城市化所带来的审美情趣的变化。这一点对于新文人画画家中主要创作人物画或者花鸟画的画家来讲并不需要特别的注意,但是对于创作山水画题材的方骏来讲则是一个十分重要的问题。山水画从金碧仙境到卧游实境,再到笔墨意境……随着历史变迁,它都不断改变自己的面貌,这一方面是因为审美趣味的改变,另外一方面则是因为人们对于生存状态的体验发生了改变。于是在很长一段时间中,批评家对于新文人画群体的评价从对作品的评价变
For the current landscape painting, there is an important modernity can not be ignored, it is the urbanization and urbanization brought about by the changes in aesthetic taste. This point does not require any special attention to the painters of the new literati painters who mainly make portraits or flowers and birds paintings. However, Fang Chun, who is the subject of landscape painting, is a very important issue. Landscape paintings from the Golden Fairyland to lying reality, to the ink mood ...... With the historical changes, it constantly changing their face, on the one hand because of the change of aesthetic taste, on the other hand, because of people’s living conditions The experience has changed. So for a long time, critics’ appraisal of the group of new literati paintings changed from the evaluation of the works