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首先,从三个方面剖析了该著的写作目的与方法,即原著作者的学术背景和写作前提、目的与方法以及内容和结构;其次,进一步分析该书的研究角度和写作特点,即从历史背景、民间宗教和信仰以及文化认同入手,综合研究能舞剧艺术的本体和文化环境;最后,把具有不同背景和传统的中国与北美学者的研究进行比较,并联系自己和中国仪式戏剧音乐研究现状提出看法。
First of all, it analyzes the purpose and method of the writing from three aspects: the academic background, the writing premise, the purpose and the method, the content and the structure of the original author; secondly, analyzing the book’s research perspective and writing characteristics further, Background, folk religions and beliefs and cultural identities, to study synthetically the noumenon and cultural environment of the art of dance drama; finally, to compare the research of Chinese and North American scholars with different backgrounds and traditions, and to contact with the present situation of Chinese ritual theater music research Make a comment