绘画只能以“怎么”来描绘它发生的 状态和过程。“怎么”是关于绘画之事发 生情势的描述,是对绘画世界所以构成 和呈现的追问。 绘画就是拿起笔(或其它工具),将 所“看”到的画下来,看与画这两个动作 是一体的,是共进共退、共生共灭的。画 着看,看着画,这就叫“走着瞧”。 只有去“看”才能画得出来,只有 “画”出来才能知道“看”到了什么。于 是如何“看”常常指引如何去“画”,怎 么“画”又常常开启怎么去“看”。我们 常常管看到并画下来叫捕捉,捕捉也是 手眼并用,所谓眼明手快。我们常常以 Painting can only “how” to describe the state and process it takes place. “How” is a description of what happened to the painting and is a questioning of the composition and presentation of the painting world. Painting is to pick up the pen (or other tools), the “look” to the painting down, look and draw the two movements is one, is the total co-extinction, symbiotic. Draw to see, look at the painting, this is called “walk and see.” Only to “see” can draw it out, only “painting” come out to know “see” to what. So how to “see” often guides how to “paint” and how to “paint” often open how to “see”. We often see and draw down to call capture, capture is also hand-eye use, the so-called eye Mingshouzhuan. We often use it