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罗丹说得好:“美是到处有的。对于我们的眼睛,不是缺少美,而是缺少发现。”说京剧后继乏人,为所谓“京剧危机”而忧心忡忡者,其原因常在于此。不是没有人才,而是由于我们脱离实际,缺少对人才的“发现”。是改革、开放的时代潮流打破了僵局,全国青年京剧演员电视大选赛,通过现代化的电视传播媒介搞活了京剧这盘“棋”。一大片葱绿葱绿的艺术尖芽顶开了盖在他(她)们头上的石头、土块,挺立于苍天丽日之下。活生生、光灿灿,耀人眼目。它使我们京剧界许多人士改变了自己的观念:唯我独尊者膛目结舌,惊呼“天外有天”;悲观论者欢欣鼓舞,看到了希望;“危机论”者改弦更张,刮目相看。可见人才一旦被发现,该多么可贵!
Rodin said well: “Beauty is everywhere. For our eyes, it is not a lack of beauty, but a lack of discovery.” The reason why there is a lack of successors to the Beijing opera and so worried about the so-called “crisis of the Beijing opera” is that. It is not that there is no talent, but because we are out of touch with reality and lack the “discovery” of talent. It is the era of reform and opening up that has broken the deadlock and the television drama for the national youth opera singer Peking Opera has revitalized the opera “chess” through the modern television media. A large spruce of green and lush flowers opened the stones and clods covering the heads of his or her heads, standing under the heaven and the sky. Live, shine, eye-catching eyes. It caused many of us in the Peking Opera world to change their mindset: Only the most monologue was breathtaking, exclaiming “Heaven is outside the sky.” Pessimists rejoiced and saw hope. Crisisists changed their mind and looked up. Visible talent once discovered, how precious!