“叹五更”式的唱词形式并非广府南音独有,最早可追溯到南北朝时期的“五更调”民间小调,此后见于唐至五代的敦煌曲词,明清时期的各种俗文学选集,吟唱千年。在粤方言地区流传的广府说唱,也有不少采用“五更调”演唱的优秀作品,遗憾的是,随着南音、粤讴等咏叹式的说唱艺术日渐成为绝唱,粤调“五更调”已不容易听到了。但其中的经典作品,不应被遗漏。当我们讲述中国传统“五更调”的艺术魅力时,应为销魂荡魄的广府南音记 “Sigh five more ” type of lyrics form is not unique to Cantonese Nan Yin, dating back to the Northern and Southern Dynasties “five more tune ” folk minor, since then found in Dunhuang Tang and Five Dynasties, the Ming and Qing Dynasties Selected folklore literature, sing the Millennium. In Cantonese dialect area spread Guangfu rap, there are also many using “five more tune ” singing outstanding works, but unfortunately, with the Nanyin, Cantonese Yue and other aria rap art has become a vocal, Yue tune Five more tune “is not easy to hear. However, one of the classic works should not be missed. When we talk about the Chinese traditional ”five more tune," the art of charm, should be ecstatic Guanyu South Sound