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适值15世纪的转折关头,在威尼斯绘画方面,就其品质和重要性来说,仅次于乔瓦尼·贝利尼的是个神奇人物—维托雷·卡尔巴乔(Vittore Carpaccio,约1460～1526)。他原名斯卡尔帕扎,又叫卡尔巴蒂乌(Scarpaza, or Carpathius)。16世纪时,意大利所有各画派都瞧不起他,几乎毫无乔瓦尼·贝利尼的风韵,只是在群像观念上,好事者归之为受真蒂莱·贝利尼之惠。据新近分析,他的风格被认为是独立的,高度想像化,饱含着敏锐的观察与有节制的诗情,其中还包含着一种全新的构图创造。
At a turning point in the 15th century, Vitasore Carpaccio, second only to Giovanni Bellini, in terms of quality and importance in Venetian painting, 1526). His former name is Scalpazza, also known as Scarpaza, or Carpathius. In the 16th century, all the schools in Italy looked down upon him. There was almost no charm of Giovanni Bellini, except that on the group conception, those who are good were attributed to Tire Bellini. According to a recent analysis, his style is considered as independent, highly imaginative, full of keen observation and temperament of poetry, which also contains a new composition to create.