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瓦尔特·本雅明在《机械复制时代的艺术作品》一书中认为,摄影技术的出现打碎了传统艺术的光韵,使后来的艺术活动发生了革命性颠覆。其中,以电影技术为代表的机械复制手段已从根本上改变了人们对表演艺术的认知方式。他通过对电影和戏剧进行比较研究,深入剖析了电影表演与传统戏剧表演的矛盾和差异。可以说,瓦尔特·本雅明的表演理论就如同他对大众文化的批判理论一样,充满了矛盾的复杂性,夹杂着历史辩证性与后现代思潮的色彩,随着时代的发展,对其表演理论的贡献以及历史局限性,我们应该有更加理性的认识与研究。
Walter Benjamin, in his book “Works of Art in the Age of Mechanical Reproduction,” argues that the advent of photographic techniques has shattered the light of traditional art and revolutionized later artistic activities. Among them, the means of mechanical copying represented by film technology has fundamentally changed people’s cognition of performing arts. Through a comparative study of film and drama, he deeply analyzed the contradictions and differences between film performances and traditional theater performances. It can be said that Walter Benjamin’s performance theory is just like his critical theory of mass culture, full of contradictory complexity, mixed with the historical dialectical and post-modern trend of color, with the development of the times, its performance Theoretical contribution and historical limitations, we should have a more rational understanding and research.