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“在法兰克福期间我再次有了绘画的灵感……使用我的绘画机器,”艺术家朱利安·阮在他位于罗德岛的住所对我说。他解释道,这个所谓的“机器”是一套系统化的观看绘画、编排视觉图式的方法,类似于上世纪90年代盛行的角色扮演的RPG电脑游戏在其特定叙事中对主人公及对象的操作。近十年中,阮一直在他的工作方法中应用这一技巧,将丢勒的版画、法国风格主义运动、美国电影和美国郊区的视觉杂烩等等一系列风格迥异的符号植入到他的创作之中,其荒诞性产生了超现实的效果。朱利安·阮将自己的作品称作传记,是“根植于人、情感和哲学”
“I was once again drawing inspiration during Frankfurt ... using my painting machine,” said artist Julian Nguyen at his residence in Rhode Island. This so-called “machine”, he explains, is a systematic way of viewing drawings and visuals, similar to the RPG computer games in the 1990s that were prevalent in role-playing RPGs in their specific narratives and The operation of the object. For nearly a decade Nguyen has used this technique in his methods of work to implant a series of stylized symbols such as Dürer’s lithographs, the French-style movement, American cinema and the visual hodgepodge of the American suburbs into his Creation, the absurdity of the surreal effect. Julian Nguyen calls his work a biography, “rooted in humanity, emotion and philosophy.”