一盛可以是“70后”作家中的翘楚,她从20世纪90年代开始寄居深圳,并经历了城市的繁华和人情的落寞,这些都成为她本世纪早期创作的经验。她的作品如《鱼刺》、《青桔子》、《水乳》、《北妹》、《火宅》、《道德颂》等主要表现都市中男女无爱的尴尬和虚伪的人情面纱,诉说底层的艰辛疼痛和欲望悖论。最近几年盛可以也在尝试新的创作可能,尤其是对现实的干预批判日益强烈,如2012年盛可以创作了短篇小说《1937年的 Yisheng can be one of the leading writers in the post-70s. Since her inception in Shenzhen in the 1990s, she has experienced the bustling city and lonely human feelings, all of which have contributed to her early creative writing of this century. Her works such as “Fishbone”, “Green Orange”, “Milk”, “North Mei”, “Fire House”, “Ethics Ode” and other major performance of the city in the embarrassment of men and women without love and hypocrisy of human veils, Difficult pain and desire paradox. In recent years Sheng can also try new creative possibilities, especially the growing criticism of the reality of the growing strong, such as the 2012 Sheng can create a short story "in 1937