韩湛宁:朱锷先生,近两年来你主持编辑和设计了大量有关日本设计师作品的书籍,已为广大设计界朋友所熟悉,但是你本人及你的书籍设计以外的作品并不为大家所知晓,这次介绍的书籍设计作品很令人耳目一新,我希望你能谈谈你的设计创作? 朱锷:一提到设计许多人喜欢把它解释成创意啦、造型什么的,但我更愿意把它理解成一个“概念”。设计不仅仅只是一种行为,更是一种意识,是一种思维方式。讲到创作方法,我是每接一个工作,都要和业主进行许多讨论,大至总体视觉走向,小到非常具体的道具运用。每次创作,除了业主的要求、内容、细节都弄清楚之外,常常都弄得很好了,但如果我视觉上没有感觉的话,我仍 Han Zhanning: Zhu Zhu, you over the past two years, presided over the editing and design a large number of works of Japanese designers books, has been familiar to the majority of friends in the design industry, but you and your book design works are not known to everyone This book introduces the design work is very refreshing, I hope you can talk about your design creation? Zhu Xi: Mention the design of many people like to interpret it as a creative idea, what modeling, but I prefer to put It is understood as a “concept.” Design is not just a behavior, it is a kind of consciousness, a way of thinking. When it comes to creative methods, I have to do a lot of discussions with the owners on a case-by-case basis, ranging from the overall visual orientation to the very specific props used. Every creation, except for the owner’s requirements, content and details, is often well done, but if I have no visual sense, I still