女性主体建构在不同的环境有不同的蕴涵,边缘女性的体验和言说不能忽略。加拿大华裔女作家伊芙琳·刘《逃跑》与大陆女作家九丹的作品《乌鸦》通过女主人公与“父亲”的纠葛和对女性自我的叙述,边缘女性发出了主体建构的声音。在伊芙琳·刘的文本中女性通过走向理智之父找到社会对自我的认同,而九丹通过与异化父亲一起进行毁灭的冒险;前者在自我叙述中找到认同,后者则在自我异化的幻想中焦虑。 The construction of female subject has different implication in different environments. The experience and speech of marginal women can not be neglected. Canadian woman writer Evelyn Liu “escaped” and mainland woman writer Jiu Dan’s work “Crow” through the heroine and “father” entanglements and narrative of the woman’s self, the marginal women sent the voice of the main body construction. In Evelyn Liu’s text, women find society’s identification of one’s self by going to the father of reason, and Jiu Dan adventures by destruction with his alienated father; the former finds identity in self-narration while the latter alienates itself Fantasy in anxiety.