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风景油画审美欣赏活动中的几种不同境界,由低到高,经历了从“隔”到“不隔”再到“隔”这样一个否定之否定的过程,欣赏者将持直观态度,与画家是分离的,对作品是外在的;欣赏者持分析态度,欣赏者以体验的态度寻找作品中情感因素呈现出来的情境,把作品看作是画家个人情感以至于时代情感的凝聚物;欣赏者以一种鉴赏的态度去审视作品中智慧之光,从而满足人类及自身智慧的渴望。风景油画审美的三种境界相互渗透,相互包容,达到一种和谐的审美境界。
Landscape painting aesthetics appreciation activities in several different realms, from low to high, has gone from “interval ” to “not separated ” and then to “interval ” such a negation of the negative process, the audience will Holding an intuitive attitude, is separate from the painter, and is external to the work; the appreciator holds the analytical attitude; the appreciator looks for the situation presented by the emotional factor in an experiential attitude; regards the work as the artist’s personal feelings and the times Emotion of the condensate; Appreciation of the appreciation of the appreciation of the audience to examine the light of wisdom in order to meet the hunger of human beings and their own wisdom. Landscape oil painting esthetic three kinds of mutual penetration, mutual tolerance, to achieve a harmonious aesthetic realm.