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情感和诗歌之间的纽带早已在圣经诗歌学界得到了广泛认可。不过这个认知常常是建立在人们对情感的通俗理解上,而未整合当代学界对脑神经学科、伦理以及诗歌研究的已有成果,故此缺乏应有的理论深度。鉴此,本篇论文从交叉学科的途径入手,提取关于当代诗歌批评、大脑的情感功能和列维纳斯伦理学思想的相关理论,论述情感如何成为接受圣经诗歌的关键。举例来说,《雅歌》4:1—7在学者间引起困惑和争议:它是审美还是审丑?赞美还是讥讽?以诗歌情感为钥匙,本文揭示这首诗将爱悦作为其底色,因情得景,以字成画,所形成的比喻的确比拟了所爱女子的体貌特征,但更为基本的是,它忠实地体现了诗人情感的浓烈,并且致力于引发听众的情感共鸣。作为最后的反思,本文对情感及与之相关的感性作出概念性描述,并提示它们在诗歌经验中的伦理意义。
The bond between emotion and poetry has long been widely recognized in Bible poetry circles. However, this cognition is often based on the popular understanding of emotions without the integration of the current academic achievements in the study of cranial nerves, ethics and poetry. Therefore, this theory lacks the theoretical depth. In light of this, this dissertation starts from the interdisciplinary approach and extracts related theories about the contemporary poetry criticism, the emotional function of the brain and the Levinasian ethics, and expounds how emotion becomes the key to accepting Bible verses. For example, Song of Solomon 4: 1-7 causes confusion and controversy among scholars: Is it aesthetic or ugly ?, or is it satirical? The key to poetical emotion is the disclosure of this poem in this poem as its background , As the result of the situation, with the word into the painting, the formation of analogy is indeed more like the physical characteristics of the woman they love, but more fundamentally, it faithfully reflects the poet’s strong emotions, and devoted to triggering a listener’s emotional resonance . As a final reflection, the article gives a conceptual description of emotions and related sensations, and suggests their ethical significance in the experience of poetry.