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想给姜永安的作品写点什么的念头已有好长一段时间了,每每赏析作品时,总觉得有很多想法要说,却一时难以动笔。他早年画些以民间乡土为题材的画作,近年又以静远高雅的古典文本为情感载体,也画些当代题材的作品,进行着古典的抒情主义与正统的现实主义的精神往返。后来,才发现在此往返过程中,画家的笔墨语言倾向于表现主义的转化,流露着笔墨质地与中国文化相关的气息以及对当代文化语境的体验与认
The idea of writing something for Jiang Yongan’s work has been going on for a long time. Every time I appreciate a work, I always feel that there are many things to say but it is hard to work hard at the moment. In his early years, he painted paintings based on folk native culture. In recent years, he has also used classic texts of quiet elegance to serve as emotional carriers and painted works of contemporary themes to carry on the spiritual reciprocation of classical lyricism and orthodox realism. Later, I found out that in the process of this journey, the pen and ink language of the painter tends to the transformation of expressionism, which reveals the texture of the pen and ink related to Chinese culture and the experience and recognition of the contemporary cultural context