《美术文献》杂志(以下简称“美”):对于当代水墨的发展方向,你如何看待?李乃蔚(以下简称“李”):中国水墨文人画被八大山人、石涛推到了一个高峰,这是一个很难超越的高峰,任伯年、张大千、齐白石、吴昌硕等人已成为文人画最后的延续,这是最后的终结。新中国成立以来,中国画,特别是人物画,以将西方古典油画融入中国画的造型方式为主流,也成为学术评判的主要标准,这实际上是中国画的一次重大变革。随着时代的变迁和西方 Art Literature Magazine (hereinafter referred to as “beauty ”): What do you think about the direction of the development of contemporary ink and wash? Li Naiwei (hereinafter referred to as “Li”): Chinese ink painting is pushed to one by Bada Shanren and Shi Tao Peak, which is a very difficult peak to surpass, Ren Bainian, Zhang Daqian, Qi Baishi, Wuchang Shuo and others have become the last extension of literati painting, this is the final end. Since the founding of New China, Chinese painting, especially portraits, has become the main criterion for academic judgment by mainstreaming western classical oil painting into the style of Chinese painting. This is actually a major change in Chinese painting. With the changing times and the West