中国电影拥有喜剧传统,“十七年”时期,在当时意识形态控制严密的境况下,中国电影人发明了一种新型喜剧样式的电影——歌颂型喜剧电影,并获得好评。与之相应,电影批评界也出现了关于歌颂型喜剧电影的讨论、批评热潮。一些电影批评家从歌颂型喜剧电影的类别、矛盾冲突以及人物形象的塑造等三个方面探讨了歌颂型喜剧这一新型喜剧电影所应当具有的样式特征和美学内涵,从而进一步丰富了新中国电影批评的理论和实践。 Chinese cinema has a comedy tradition. During the “Seventeen Years” period, Chinese filmmakers invented a new comedy-style movie, a comic-style comedy film, and received favorable comments when the ideology was tightly controlled. Correspondingly, the film critics also appeared on the chant of comedy movie discussion, criticism. Some movie critics explored the style characteristics and aesthetic connotation of the new comic movie comedy from the three categories of chanting comedy movies, contradictions and characters, which further enriched the new Chinese movie Critical theory and practice.