伴随中直院团布局结构调整及人员考评聘任制的推行,艺术团体用人机制活起来了,舞台上奏起了希望的乐章。但走下舞台的人怎么办?他们是否从此成为艺术上的流浪者或生活中的弃儿?或只能演奏一曲《安魂曲》了此余生?事实显然并非如此。在经过最初一段的心灵震颤之后,下岗演员们显得坚定和成熟起来。当他们中的一些人驱车前往文化艺术人才中心报到,或安步当车,安详地出入柏林寺这座百年古刹时,你简直弄不清谁 With the adjustment of the layout structure of the CPC Central Committee Directorate and the implementation of appointment appraisal system for personnel appraisals, the art organizations have been using a human-made mechanism to live up and the stage has played a movement of hope. But what about those who walked off the stage, and whether they became artistic wanderers or abandoned children in life, or could only play a Requiem for the rest of their lives? This is obviously not the case. After the initial period of tremor, the laid-off actors appear firm and mature. When some of them drove to the cultural and arts talent center to report, or walk in the car, peacefully out of this centuries-old temple in Berlin, you simply can not understand who