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关于费穆的创作,尤其是敌伪时期的舞台剧创作,生前很少留下文字材料。笔者采访了当年曾经和费穆共事过的演员和制作人员,以期冀为这一段费穆研究提供一些资料。一、正直的知识分子赤诚的爱国者 1941年12月太平洋战争爆发,上海的电影厂全部被合并,成立日伪“华影”。费穆拒绝与日本方面合作,关闭了他的民华公司,搞舞台剧。在这期间,他们领导的剧团曾有两次因为拒不与日本方面合作而被停止演出。第一次,美、英政府与中国政府合作抗日,搞了一个归还租界的活动,把原来的租界归还给中国政府。而在上海,日本方面为了欺骗、拉拢人心,也搞了一个归还租界的活动,把日租界归还给汪精卫伪
Femou’s creation, especially in the period of the enemy’s puppet theater writing, leaving little writing materials during his lifetime. The author interviewed the actor and production staff who had worked with Fermus that year, hoping to provide some information for this period of Fei Mu study. I. True Intellectuals Patriotic Patriots In the wake of the Pacific War in December 1941, all the movie studios in Shanghai were merged to form the “Puppet Theater”. Fei Mu refused to cooperate with Japan, shut down his Min Wah company, engage in stage play. During this period, the troupe led by them had been stopped twice for refusing to cooperate with Japan. For the first time, the United States, Britain and Britain cooperated with the Chinese government in resisting Japan and engaged in an activity of returning the concession to return the former concession to the Chinese government. In Shanghai and Japan, in order to cheat and win hearts and minds, they also engaged in an activity to return concessions to return the Japanese concession to Wang Jingwei