《呐喊》和《彷徨》基本主题是封建思想及封建伦理道德吃人,主要表现是封建思想环境吃人,绝大多数属悲剧作品。人的生命无端丧失是最大的悲剧,其作品多写社会底层和小人物之死。悲剧主人公苦诉无门、求告无路,沉重压抑的氛围让人想说难言,欲哭无泪。对中国历史的怀疑精神,撼人心魄的灭亡意识,以及梦醒了无路可走的清醒“毁灭感”构成了鲁迅人格的特定内涵,他认为,我们这个将死民族每一个分子的觉醒,竟是举步维艰,这种毁灭意识能很快在革故鼎新,致力于民族振兴的志士仁人中产生强烈的共鸣,形成强大的向心力和凝聚力。 The basic themes of “shout” and “imitation” are the feudal thoughts and the feudal ethics and eating habits. The main manifestations are that the feudal ideology is environment-friendly and most of them are tragic works. The loss of human life is the greatest tragedy, his works more write the bottom of society and the death of a small person. The protagonist of the tragedy has no ground to sue for help and complains about no way. The atmosphere of heavy repression makes people want to say unspeakable and cry without tears. The skepticism of Chinese history, the awakening sense of perdition, and the awake “sense of destruction” that waked up the awakening of the dead constitute the specific connotation of Lu Xun’s personality. He believes that the awakening of every element of our die-hard race, In fact, it was a difficult time to ascend. This kind of sense of destruction can soon have a strong resonance among the ideologically motivated and rejuvenating Cheshi Renren and form a strong centripetal force and cohesion.